Thou Shalt Rock Out

In 1976, Moris Tepper joined Captain Beefheart’s Magic Band as guitarist; a position he held until Vliet’s retirement in 1982. It was during this period that Tepper was handed the “Ten Commandments of Guitar Playing,” as written by Beefheart himself.

1. Listen to the birds.
That’s where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.

2. Your guitar is not really a guitar.
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you’re good, you’ll land a big one.

3. Practice in front of a bush.
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.

4. Walk with the devil.
Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. You have to be an equal opportunity employer in terms of who you’re brining over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.

5. If you’re guilty of thinking, you’re out.
If your brain is part of the process, you’re missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.

6. Never point your guitar at anyone.
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.

7. Always carry a church key.
That’s your key-man clause. Like One String Sam. He’s one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song “I Need a Hundred Dollars” is warm pie. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. He just stands there like the Statue of Liberty — making you want to look up her dress the whole time to see how he’s doing it.

8. Don’t wipe the sweat off your instrument.
You need that stink on there. Then you have to get that stink onto your music.

9. Keep your guitar in a dark place.
When you’re not playing your guitar, cover it and keep it in a dark place. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it.

10. You gotta have a hood for your engine.
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can’t escape. Even a lima bean has to have a piece of wet paper around it to make it grow.

From Rolling Stone’s Alt-Rock-O-Rama

 

Walking Off The Earth

We’re always interested in hearing great cover versions of songs… you’ve most likely seen Johnny Cash’s tear-waterfall-inducing cover of NIN’s “Hurt”. More recently there was James Blake’s sparsely bass-tinged take on Feist’s “Limit To Your Love”. Well, 2012 has arrived and Canadian indie rockers Walk Off The Earth version of Gotye‘s “Somebody That I Used To Know” has gone completely viral… and for good reason too. The skill & emotion shown in the song’s four & a half minutes are exactly what great music is all about…

 

Satisfaction Acquired

Hi, we’re Seake. And we’re music snobs. There, admitting it is the first step to rehabilitation. Over time we’ve become quite skeptical of the South African general public’s taste in music (it’s not their fault, they only have the nauseous drivvle that is force fed to them via the airwaves) …so when somebody suggests we check out “this great band/artist”, we politely smile and forget about the conversation in a few nano-seconds.

One suggestion we’re glad we didn’t ignore is UK Acid-Jazz Instrumental supergroup Red Snapper (who used to release on long time Seake favourite Warp Records no less – Doh!). After surgically removing the foot from our mouths & wiping the egg off our faces, we got down to listening to “Making Bones” & the sublime “Our Aim Is To Satisfy“. Not unlike checking in at Betty Ford for Electronic-IDM-Jazz-Skiffle-Beat counseling. Let the healing begin! Newly released album “Key” looks set to be premiership ear candy too

 

The Scene on the Street

Device Team went on a quest to find South Africa’s perfect Quart & thanks to the expertise of Street Scene‘s culture-blending Township/Shebeen tour, I can gladly report that we found it, alongside many other treasures, deep in the heart of Kwa-mashu. A few pics from the day are below, but this is something every South African should experience first hand. N.B. Dont drink and walk on the road & watch out for Buffalo! Good times…

 

Thermoacoustic Refrigeration

After trawling through the digital archives this week, we’ve been rediscovering the perfectly cooled sounds of Kieran Hebden‘s (aka Four Tet) first musical outfit Fridge. Listening through their discography from “Ceefax” through to the most recent album “The Sun” is like finding that chilled cold water bottle stashed under the always empty egg shelf tray on a hot summer’s day. Refreshingly experimental drum arrangements give way to crisp audio foley & leave you cool as a cucumber & with that knowingly thirst-quenched smile. Okay, enough cold references for one post. They’re fucking great, that is all.