Thou Shalt Rock Out

In 1976, Moris Tepper joined Captain Beefheart’s Magic Band as guitarist; a position he held until Vliet’s retirement in 1982. It was during this period that Tepper was handed the “Ten Commandments of Guitar Playing,” as written by Beefheart himself.

1. Listen to the birds.
That’s where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.

2. Your guitar is not really a guitar.
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you’re good, you’ll land a big one.

3. Practice in front of a bush.
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.

4. Walk with the devil.
Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. You have to be an equal opportunity employer in terms of who you’re brining over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.

5. If you’re guilty of thinking, you’re out.
If your brain is part of the process, you’re missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.

6. Never point your guitar at anyone.
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.

7. Always carry a church key.
That’s your key-man clause. Like One String Sam. He’s one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song “I Need a Hundred Dollars” is warm pie. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. He just stands there like the Statue of Liberty — making you want to look up her dress the whole time to see how he’s doing it.

8. Don’t wipe the sweat off your instrument.
You need that stink on there. Then you have to get that stink onto your music.

9. Keep your guitar in a dark place.
When you’re not playing your guitar, cover it and keep it in a dark place. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it.

10. You gotta have a hood for your engine.
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can’t escape. Even a lima bean has to have a piece of wet paper around it to make it grow.

From Rolling Stone’s Alt-Rock-O-Rama

 

Walking Off The Earth

We’re always interested in hearing great cover versions of songs… you’ve most likely seen Johnny Cash’s tear-waterfall-inducing cover of NIN’s “Hurt”. More recently there was James Blake’s sparsely bass-tinged take on Feist’s “Limit To Your Love”. Well, 2012 has arrived and Canadian indie rockers Walk Off The Earth version of Gotye‘s “Somebody That I Used To Know” has gone completely viral… and for good reason too. The skill & emotion shown in the song’s four & a half minutes are exactly what great music is all about…

 

Read the Small Print

We like art. We like typography. We love Irish design collective The Small Print. One of their latest projects involved inviting top artists, illustrators & designers from around the world to come up with an unique illustrated alphabet. The results are clever, creatively inspiring & an insightful snapshot into global design trends right now.

Creative Review have more information on the “Illustrated Alphabet” project, but all you really need to see is the entire eye-popping collection, available as high quality lick-worthy prints from Print Process.

 

Light Calligraphe

There’s a strong possibility that you’ve already heard of or seen some light graffiti. Perhaps you’ve even given it a twirl yourself? Modern Light Artists such as Michael Bosanko & a few others have been doing some pretty great stuff over the years… but none stand out quite as much as Frenchman Julien Breton (aka Kaalam), who’s work centers around his very own Arabic-Latin hybrid calligraphy. The website is in French, but that shouldn’t stop you from drooling over his fantastic portfolio – our personal favourite being Under The City.